The Final Destination: Your Mind in Pieces and Nazi Dehumanization

Rest In Pieces

Can't help but appreciate their dark MK humor, they're playing a game; they're Tweedledum, blogs like this are Tweedledee. These 'Final Destination' films follow the exact same pattern over and over ([except with different scenarios obviously] they're comedies if anything! but they do sort of suck you into the ridiculous plot [originally thought up as being an X-Files episode] and insane set pieces); this repetition ("cheat death" and death will come for you!) is probably for a specific programming purpose, with this looking like it could be the final one expect this one to be the climactic ultimate 'mind shattering' (the poster is a perfect depiction of the shattered/fractured mind symbolism I've shown many times) one.

A few other 'MK symbolic' posters from the series here (half face/split mind, in the mirror).

I recently saw Adam Resurrected and was pretty impressed with it's portrayal of how someone can be so dehumanized that they genuinely think of themselves as a dog/animal (the kid being the main example as Jeff Goldblum's character Adam isn't as dehumanized [he can still function as a human being]). I think it's a shame people don't recognize how useful the Nazi era was for the perfecting of mental/psychological manipulation/programming, history books talk about 'medical experiments' going on in the camps resulting in deaths but they always seem to portray it as simply mindless cruelty to exterminate as many people as possible and experiments done to affirm the Nazi's belief (most of it is just theatre to manipulate the masses) in the Untermensch/Ubermensch. Events like World Wars allow them to continue what they had been doing for centuries in torture chambers (remember these were built for the 'elite'/nobility in their prisons/castles); I'd be very surprised if throughout history torturers had not been documenting the physical and perceived psychological effects their torture was having on their victims up in the Tower of London and such. People forget just how brutal history is and who has been pulling it's strings; this brutality is predominantly limited only to those with the power and influence to practice it (again 'elite' torture chambers were VERY common in medieval times; I would argue that along with this, the incessant inbreeding over many centuries is part of what makes up "elite" society's sociopathic psychological makeup and their obsession with ritual/control/manipulation).

This is not a true story but there are obviously many examples of this type of thing going on throughout history (in terms of feral children, of course no one wants to think that anyone could be capable of intentionally manipulating someone, particularly an innocent child into this animalistic state but it absolutely goes on and is happening somewhere right now; dehumanization is an extremely common form of abuse and an essential mechanism for programming). Let's hope the forthcoming organized chaos does not allow something as horrific as the colossal level of dehumanization that occurred during the Nazi era to happen again (I'm not very optimistic [these things are cyclical by design, we're due another world war]).

Bird cage/feathers/masks/etc [1920's-30's Germany]


Jeff Goldblum plays circus entertainer/ringmaster 'Adam Stein' using his own daughter (Ana Geoanna according to a NY Times review, I can't find any info on her at all) in the knife-throwing show (obviously quite traumatic).

Willem Dafoe shows up as the Nazi bogeyman who, being a weak-minded individual thrives on the power the Nazi leadership gives him and punishes Goldblum for embarrassing him at one of his shows (Dafoe wearing the usual Nazi skull and bones + iron cross and other Nazi insignia). He knows of his 'dog trick' (manipulate a dog through mimicry) so takes this to the ultimate dehumanizing extreme as he is a fucked-in-the-head sociopathic Nazi (of course you could always read into this movie as being propaganda).

Speaking of Hitler and dog dehumanization; there's been a spate of Hitler related shows on TV recently (in England at least) and it's been interesting to hear of his physically abused childhood (I've gone into this fact in the past) and how this contributed to his own psychological makeup (though I think Hitler was manipulated far more than the show suggests [not that he wasn't "evil" I just think a lot of manipulators and people involved in the 'death camp infrastructure' ((IBM etc)) and such got off scott-free]). Hitler: The Rise of Evil also showed this dehumanization mentality in Hitler as he treated the niece he wanted to screw like a dog (made her go round in circles and stop on command, and basically outright calling her a dog and such [she kills herself]). It's worth mentioning that film has a lot of inaccuracies though it was good on the whole (also the director was fired for comparing the climate of fear Hitler rose to power in, with the War on Terrorism; which obviously 9/11 was the Bush family Nazis' Reichstag fire/false flag operation), Israel are gonna Bomb Bomb Bomb, Bomb Bomb Iran.

The story jumps from him in the mental asylum, where his damaged self is shown as he can only 'get off' apparently when dehumanizing others (symptom of this kind of this especially twisted psychological trauma) which he does to his love interest in the institution.




The dehumanized kid 'David' is shown chained and collared (and acting 100% like a dog having been dehumanized). He is played by Tudor Rapiteanu whose other role has him in a short film being used to traffick drugs (like young trafficked/mk slaves in reality [as they're not suspected by the authorities for obvious reasons]).









Why So Serious?! He's been made into a 'Joker'. I haven't gone into much detail here (did not want to turn this into a long post), there's more imagery/themes worth mentioning in the film.

The colour image of Goldblum with his daughter in the film further up comes from the New York Times review, whose reviews often seem to have a suggestive MK ring to them: "With his dark whirlpool eyes and sensual clown’s mouth, Jeff Goldblum has always suggested an actor poised to reveal a thousand faces, many of them nightmarish apparitions. In “The Fly” we saw a few of them; more emerge in the Holocaust survivor drama “Adam Resurrected.” The movie’s unsettling opening image is a close-up of his character, Adam Stein, in clown makeup, rolling his left eye while keeping the right stationary. In no particular order Mr. Goldblum’s shape-shifting character is an imperious circus magician and knife thrower, a dog whisperer, a wily seducer, a raging drunk and a traumatized observer of genocide." I thought this was an interesting interview from him about having to actually eat dirt at the behest of the director Paul Schrader who was abused/traumatized as a child by his nutjob religious parents (I'm sure many can relate to that): Paul Schrader's early life was based upon strict Dutch Calvinist principles and parental education. When he disobeyed his mother, she would stab his hand with a pin, asking, "You think that felt bad? Hell is like that, only every second and all over your body" [and speaking of religious/Christian programming the trailer for his Exorcist prequel displays some MK/MPD themes "Are you comfortable? How old are you? Is there someone inside of you? If I ask him to tell you will you let him answer?" then the "demon"/alter speaks]. He directed Cat People (click for detailed analysis), Patty Hearst (posted on her MK/brainwashing here) and wrote the script for Taxi Driver (+ many others, see wiki), so no prizes for guessing his involvement in MK/dehumanization!

Hello, Masked Katy Kat!

All those giant cat heads and other kitten suggestive images I posted on Katy Perry's tour (click for all my posts on Katy, tonnes of images + her video analysis [her debut video portraying her as a doll for obvious reasons]) come from her 'Hello Katy Tour' which she is currently doing (ending in Oz), she refers to the giant cat head as her own cat 'Kitty Purry' (below image from older post, probably the name of her sex-kitten cat alter), describing it as "the biggest pussy you'll ever see on stage" (hilarious! what's even more humorous is that all the rapturous fans have no idea what the actual joke is). I thought I should do a post (I'm not very organized to say the least, the Disney post has hardly got going btw) in light of her new video about to air on youtube in a few days (she will be dressed as a Queen of Hearts [trigger in Manchurian Candidate, Queen of Diamonds anyway] ((you can see this on her official site's preview image of the preview video, along with Elvis)), trapped in a money box, Vegas is always good for some symbolism anyway) which I'll probably post in a few days as (along with other images I'm saving for it [some candids, symbolic photoshoots/mag scans, older images etc] this post focuses on her current live shows).

Here are a few images from the preview video released by Capitol, watch it here [doesn't show her as a playing card, I will probably post this video at it's release in a few days]. Starting off with some checkerboard floor symbolism then some good old fashioned Vegas casino occultism (777 being the "lucky/winning number").

She wears Pink + leopard-print bikini.


The V doesn't only stand for/mean Vegas ;)



The main image I wanted to capture is the butterfly hair-band thing (any butterfly on the head is absolute MK [popped up a lot in recent posts here and here]), I'll look for a DVD Rip or something and post some good screencaps from what I assume will be a video full of symbolism (haven't pictured everything symbolic from the preview).

Here are the official merchandise from this 'Hello Katy' tour, obviously no one (who isn't totally ignorant) should be shocked by the Lolita themes on these. The top official alternative poster (main one is also symbolic watermelon piece + mouth covered) obviously features clear sex-kitten programming with the mask (masked/lost/altered identity, replaced by the manufactured/programmed one [i.e. sex-kitten mask] that covers your actual face/identity) and Katy looking seductive over a leopard-print background.

Fresh Cherries = pedophilia ["Harvesting (cherries) since 1984" (taking little girls virginity [cherry = the hymen], they pay a shitload for virgins at sex-slave auctions)], fruits are again all about sex (in MK programming, programs [i.e. a specific perverse sexual act] are seen as fruits in some internal structures [so used as triggers]) and more associated with pedophilia as I think they regard children as 'forbidden fruit'. This kind of symbolism is seen in the bible where Eve's innocence is lost by the slimy snake (phallus) offering her the 'forbidden fruit' (sex[ual abuse]); you can hopefully interpret the obvious metaphor for yourself!

A few more images from said tour:









"Koons is my Kunst!" Anyone care to explain (typical Disney dehumanization aside)? Sounds German and Nazi-like however, Kunst means 'art' in Germany (easily mispronounced into something dirty; Koons is apparently an art designer [possibly made the inflatable stage props], a fashion site [note Mickey Mouse and usual themes in fashion] says it is a reference to Nazi propaganda's "entartete Kunst"). Like other outfits Katy has worn they've also featured on the catwalk (so did her Obama dress and others).






In the German leg of the tour she wore interesting imagery such as a winking eye (not the first time her breasts have been used as symbolic eyes [image further down in link]).


In Munich she wore just a black cat.


But probably the most interesting of the bunch is her trousersuit covered in all sorts of symbols, lots of butterflies, a yin-yang (duality), sun symbolism, a Geisha, birds and lots more (can't make out most of it admittedly).

The set was designed by Madonna's (another kitten, check out these images I posted a while back at this post taken in 1979 [as well as a Katy kitten one from an older Katy post], here are a few more from it as well as the couple I posted [tried to put in symbolic order, ritual poses and whatnot]) set designer according to wiki, so all these big cat heads/fruits/wieners/etc and Katy's various symbolic costumes make more sense.

In the 'Hello Katy' tour, Madonna was invoked with her image on her top as Minnie Mouse, then in a later Disney 'Grad Nite' event in the past few days she herself wore the MM ears (good ol' wholesome Disney, note her leopard-print short dress also ). [Lady Gaga is constantly invoking MM/Hello Kitty hair bow]



Edit: Throwing in this image from an older post (+ have put another few images in).








[Edit: Added better view of more recent shoot wearing the above top, note below leopard-print finger nails as well]

I didn't make the connection at the time but her dark Hello Kitty outfit she wore at The Brit Awards was in reference to her Hello Katy tour (was unaware that was the name of it at the time) and I posted images of her wearing them all in a post, using the obvious title 'Hello Katy' (you've got to check out the video for the dark Hello Kitty MAC line she was promoting there too if you haven't already).

The below 2 interesting images are not Katy, just to clarify.







Nazi lipstick chic! Shhhhh...




The obvious phallic significance of lipsticks is shown in Salon Kitty (interesting movie btw I've posted on it in relation to Katy before a few times [some more symbolic posters above, a kitten covering her 'pussy'/kitty and such], standard themes [lots of mirrors, duality, androgyny and such, not sure if people are interested in write-ups of films like that]), remember Salon Kitty was of course an actual place where kittens were programmed/housed in WW2 for espionage purposes. The below image , which I've linked to the video of before but worth picturing here again to show the clear comparison.