Stephen Gately feels the Devil's Curse at 33

It's always tragic when a death occurs, celebrities have been dropping like flies for the past year or so; perhaps this is a result of more of them waking up from their programming or perhaps not. Stephen Gately is the latest to die (RIP), passing on October 10th (10/10) 2009 at the age of 33. To go along with the 33 Masonic symbolic age of death (of course it could be entirely coincidental), the Boyzone's official press release about the death contained another Masonic allusion, "We are completely devastated by the loss of our friend and brother." which is what Masons refer to themselves as (again this could also be entirely coincidental, totally apart from the Masonic usage, an innocent reference to their brotherly connection; though my instinct was that it was a conscious reference to the Masonic brotherhood). I don't view it as particularly significant he was writing a book as it was only a children's book. We will probably never find out what actually happened to him, it may well have been an accident but that is not the issue for me as we will never know (it may well have been a ritual sacrifice, you cannot say though). I will probably got a few comments like "you heartless asshole, show some respect to the dead and their family!" and the like; but I feel it would be disrespectful to the dead not to pose these questions instead of blindly accepting whatever story the news media concocts.

In having a quick look at his career, his movie debut and final movie he appeared in was Credo (from the Latin) AKA The Devil's Curse. In it, Stephen plays one of five students who try to summon the demon Belial ("You are Belial, Prince of trickery, Servant of Satan"), through a pentagram invocation ritual. One of the students breaks the pentagram, releasing the demon and all five are subsequently found killed, on the surface by their own hand ("Each of their deaths looked like suicide..). This mysterious circumstances surrounding his death mirrors what has happened in reality as Stephen's death does not immediately have any explanation (yet) apart from it was accidental and not at all suspicious.

Viewing the above trailers (first one mainly) emphasize the number 5's significance in relation to the pentagram, I firmly believe this occult numerology of the number 5 is why many corporate created Boy and Girlbands often have 5 members (when only like 2 of them are really needed and the others seem to just hang around in the background), "we need all five, or the pentagram will be broken!" as it says in relation to the ritual in the film. Stephen was one member of the five-piece Boyzone, whose logo is quite evidently duality symbolism (they have since toned down the duality a lot). Boyzone version 2.0 Westlife (created by Simon Cowell and also managed by Louis Walsh like Boyzone; if I was ultra-cynical I may say that this almost feels like promotion for the downright evil X-Factor and for Boyzone's current comeback) even recorded a music video inside Freemasons Hall in London, Mandy essentially showing you what is the driving force behind these manufactured 'five piece' boy bands (Westlife were originally five, but Kerry Katona's ex Brian McFadden left).

You may remember many MK'd celebrities were mimicking Beyonce's Single Ladies for no apparent reason (probably due to it's programmed choreography, suggested by the robot hand and whatnot), notice all the duality black/white motifs on the screen behind him. I do not have the energy to go through Boyzone's videos but one I had posted previously containing checkerboard duality on a checker cab was here ('Love You Anyway').

Here is a video of Gately singing Monarchs Michael/Janet Jackson's 'Black or White' (please note the pyramid on the back screen when he starts singing, embedding disabled; they usually wear the standard duality combo of a white top and black trousers). Speaking of pyramids, check out the pyramid subliminal shape Stephen symbolically walks under (consciously kept in the frame by the camera; 0:16), various symbolic scenes follow (emphasized by the colour, like a rose, a bridge, river and things like the London Eye, a mirror shot and others are shown) including paper butterflies spiraling around him at 2:18 (before being transported to a colourful alternate reality; like the cyclone taking Dorothy 'over to the rainbow' to Oz, black and white to colour) and even a yellow brick road scene at the end of his debut solo video 'New Beginning' below.

Note on the Boyzone logo the point within a circle, inside of the 'o' of zone (seems like every logo containing 'zone' has this; like the TV station eye subliminal, and another company called Zone [scroll to Noah stuff]), this occult symbol is also seen on Credo's promotional artwork (it is a square point, which makes it all the more Freemasonic symbolic [symbolizing the square of the 'compass and square', the circle being the result of the compass]). This is a Freemasonic symbol (compass symbolic, eye symbolic, and sexual [point = phallus, circle = vagina] symbolism I have gone into in the past; it is always multi-faceted).

Stephen perished in apartment 101 (in apartment block '10', the Sky camera focused on a #10 anyway implying this) which he shared with his partner Andrew Cowles (pictured above and below with Louis Walsh at Matt Lucas' civil partnership ceremony to another homosexual man to meet a tragic end very recently, TV producer Kevin McGee who hung himself).

Gately's stage musical roles I feel suggest his mind control, playing the scarecrow in 'The Wizard of Oz' (no brains/free-thought).

The Child Catcher from 'Chitty Chitty Bang Bang' who is obviously supposed to represent a pedophile working for the establishment's child sex rings (note the Worshipful Master's top hat which is the focal point of his black uniform):

The Childcatcher is the most loyal servant to the Baron and Baroness Bomburst of Vulgaria. Since the Baroness cannot abide the existence of children, she employs him to kidnap and imprison the country's children. He wears a black suit with a top hat, and has moderately long greasy black hair. In general appearance, he is quite pale, thin, and has a spider-like quality and grace in the way he moves. His most recognizable feature is his elongated nose, with which he is able to smell children and find where they are hiding. When searching for the children, he carries a large net and a hook to catch them. The witches in screenwriter Roald Dahl's novel, The Witches, are also able to smell out children to murder them.

He drives a horse-drawn dark buggy equipped with a cage, but he sometimes disguises the buggy as a candy-and-ice cream wagon in order to lure, and so ensnare, children. He also disguises himself as an innocent candy-salesman with colorful clothing and carries lollies and other sweets with which to tempt the children out of their hiding places. When Jeremy and Jemima Potts are hiding in the Toymaker's cellar, the Childcatcher dances through the streets harking about "free" chocolate, cherry pies, treacle tarts, ice cream and other goodies. Jeremy is entranced and runs out into the street, despite Truly warning the twins not to leave until she had returned (she was out shopping for food). Jemima followed against her better judgement, and both of the children followed the Childcatcher. The villagers shouted and called for them to come back, but the Childcatcher lured the children into his cage and took them to the castle of the Baron and Baroness. The twins were locked in the tower and awaited their deaths.

At the end of the film where the natives of Vulgaria and the Vulgarian children ambushed the Baron's birthday party, the Childcatcher was called to detain them. However, his plan failed when he realised that the children were no longer afraid of him and they trapped him in a net which they then suspended from the ceiling-like a spider.

And Godspell looks interesting.

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Note his what looks like skull and bones covered tie (and some red flower-looking motif).

In Joseph & the Amazing Technicolour Dreamcoat he is symbolically shackled, enslaved by Egyptians and all that.

Saskia Mulder Bound and Gagged in Anubis' Iron Maiden

Having completed the Karen Mulder post previously which included some interesting info on her actress sister Saskia, I wanted to look in to more of her roles (had the Descent on DVD so was already familiar with it's content) to see if they fit the predictable pattern in terms of the themes that seem to follow these MK'd actors throughout their various symbolic roles, in terms of MK/occult motifs, symbolism and the like. I was looking for her role in the British offbeat detective drama 'Jonathan Creek' which seemed to be a fairly prominent one for her in the show's pilot episode 'The Wrestler's Tomb', it just so happened to be airing on TV that night (on G.O.L.D. probably repeated a lot) so thought I should do a write-up of it as it provided some good images of Saskia, very much pertinent to the 'Mulder' family programming. The protagonist of the show is played by Alan Davies, who is the product of generations of Freemasons (pictured below with a Freemasonic tracing board) as both his grandfathers were Freemasons which should give you an idea about what this show and the actor is about, info on Davies + image from Atlantean Times. He plays an inventor/creator of elaborate illusions, who teams up with Maddie Magellan (played by Caroline Quentin); the name probably intended to resonate Mary Magdalene (the Knights Templar/Masons obsess over the Magdalene/Jesus bloodline/Holy Grail and all that crap). [p.s. I will get to a Michael Jackson post soon, I realize a lot of people probably expected me to post loads on it (I've consciously decided not to get sucked into the current frenzy) because he's such an obvious MK slave (check out comments where myself and others have posted some great info on him for now; I'll complete one more post then I'll get to a post on him I think + hopefully generally pick up the pace with posting)]

Saskia's role is standard fare for a MK programmed Kitten as she plays a model/mistress called 'Francesca Boutron' used by pervert artists/photographers; the fashion magazine in the episode is called 'EVE' (usual 'original sin'/loss of innocence symbolism I've gone into in regards to the 'loss of innocence' in programming slaves/fashion transformation). She plays a model who is very much like her sister who was used by rich/older men for sex (as a Monarch sex-slave), many of them photographers (and probably some artists), she "married" one at age 18 (see Karen's post for details). Her name Francesca is the typical ironic theme slaves are often symbolized with as it derives from the Latin Franciscus, meaning 'free'.

The ridiculous plot (obviously not to be taken too seriously) entails Saskia killing the artist she was having an 'affair' with (pictured above; the gallery of the murder victim's artwork at the start shows models with their faces in clown make-up [i.e. false/programmed smile/emotions, 'performing clowns']) because he wouldn't 'love her' or something, she somehow manages to bound and gag herself then shooting him using her feet and act all shocked and innocent after... the fact that she did it is MK symbolic of her programming (delta-beta slave; assassin-sex programming, used in espionage for assassinations, controlling through blackmail politicians and the like). She is found bound and gagged below the gold and blue closet, the circle inside square motif is very Freemasonic (square & compass symbolic + gold and blue is standard Freemasonry colours).

Checkerboard + Salvador Dali even gets a mention in this episode (saying the below was drawn by him and is focused on), remember Saskia was posed as one of the girls making up Salvador's skull creation for one of the posters of her film 'The Descent' (see KM post for details).



Multigeneration Freemason Alan Davies shows up purchasing a boxed Barbie doll, then sawing off it's head as a miniaturized version of a symbolic stage illusion.

Dolls losing their heads everywhere? What could it mean!?

The David Copperfield style illusionist/magician which Davies works for (+ slaves are often used in stage magicians/illusionists' sets, which I've gone into before like Patrizia D'Addario used by Copperfield) is played by Anthony Head (above in royal/MK dissociative purple [mentally polarizing colour, mixture of red/blue]) performing the full size version of the miniaturized headless barbie doll/queen of hearts trick (he puts his arm through their body). Anthony's surname Head implies MK (for the head/mind manipulation suggestion obviously), both his parents were in the industry (his mother an actress Helen Shingler, father a general film-maker [documentaries, producer/director], beyond that his great-grandfather and grandfather were in the military [perhaps where their programming/manipulation started]); he and his brother (also a performer) Murray Head both performed in the play Chess.

The fullsize version fo the Queen of Hearts, Alice in Wonderland Monarch programming; "Off with their heads!", note the disembodied mannequin head (the model used here is not Saskia by the way), note the occult/Egyptian theme with twin pillars.


Head picks out Saskia for a voyeuristic illusion whereby she strips naked in a shower (not really), the audience seeing her silhouette (she goes down a slide under the stage right at the start so doesn't actually strip).

Anthony Stewart Head dresses up as the split/dual personality/MPD/DID suffering 'Psycho', Norman Bates (played by Anthony Perkins) re-enacting the famous shower scene; Hithcock's films are loaded with MK themes and motifs (for instance in the poster the fractured/split word I've pointed out in numerous movie posters as symbolizing their fractured mind; there are lots of mirrors/one eye shots and other motifs in it, the final shot of Norman Bates is a double exposure shot with his mother's mummified skull superimposed over his, symbolising his Multiple/dual-personalities, Perkins himself went through 'therapy' to "cure" him of his homosexuality, so was probably electroshocked and went through other programming coming from an acting family too).

Norman Bates was based on the real life serial killer Ed Gein who was more than likely extremely dissociative due to his father's physical abuse inflicted on him and his brother as a child and his mother's batshit Lutheran insanity/emotional abuse [Ed (head sounding) was also who the Texas Chainsaw Massacre character was loosely based on, which I covered in this post]. Note another 'split mind' motif on the poster of a film about Ed below with half face masked. Bates is invoked in the episode also as the name is mentioned in relation to a telephone call near the start, the receptionist cannot remember if it was asking for the file of a "Yates" or a "Bates" (see longer synopsis of the episode).

Head's character gives Saskia a little black dress which she excitably strips and models infront of the mirror.

Her character apparently practised shooting the gun with her feet on a nude painting of her made by the dead artist.

Saskia replaces the original model as the illusionist's attractive assistant and dresses up in Cleopatra/Egyptian ritual clothing (note gold mannequin head holding Saskia's Cleopatra wig). Head's stage, as mentioned is covered in ritual Egyptian/occult symbolism with Fremasonic twin pillars and Horus' winged solar disc, which is an extremely important symbol to modern occultists/secret societies also, used by Freemasons/Rosicrucianism/Theosphical Society [remember Frank Baum, creator of dissociation programming 'Wizard of Oz' was a theosophist and others involved] cults and the like, all of which are heavily involved in the hidden section of society that have been practising mind control and occult rituals for centuries, this is a good example of how they consistenly use these themes in the media which they secretly control; Alan Davies being a multigenerational Freemason and not particularly talented at anything also shows how these types of connected individuals are given a platform in the media.

Anthony Head, in his occult ritual robe chases Saskia with a wip which he lashes causing Saskia to run in fear before being grabbed by the Egyptian slave handlers.

The Egyptian 'slave handlers' (below) even look a little like an older heroin-addicted Aleister Crowley who eventually died alone in his terraced house (he was a British Intelligence spy among many other things), I've pictured his 777 book cover to illustrate these Egyptian/Freemasonic twin pillars and winged solar disc seen in this Anthony Head's illusionist set (exact same setup with the winged disc above and in between the pillars), in relation to his Ordo Templi Orientus/occultism, I posted some info on Crowley's Monarch mind control slave usage connections in my Zohan post.

Crowley's 'Thelema' philosophy of 'Do what thou Wilt' was extremely attractive to the sociopathic "elite", and is a small part of how they have justified (not that they needed any justification) in their own minds the horrific things that they have done throughout history (old and modern slavery, controlled/mass ritual-sacrifice World Wars, staged "terror" and the like). Crowley was a notorious womanizer/misogynist who used and abused various women (often as part of ritual "sex magick", Monarch sex-slaves are often programmed from a young age to be used in such occult rituals), many of the men/women he used in rituals ended up insane/dead (see Channel 4 documentary).

Below Head is triggering Saskia into a trance, wearing the occult ritual robe (blue eye of horus, gold/black suns and the like) + you can pick up on a few of the symbolic things on the sarcophagus/iron maiden.

Anthony Head/Anubis (see further down) waves his hand (hand signal trigger) in front of the victim/Saskia Mulder's face putting her in a trance (with standard occult pose arms crossed over chest, pictured Crowley doing it below also in a ritual robe/Egyptian clothing) ready for the funerary mummification ritual (starting with her face) again; as before with the black masking tape, effectively blindfolding/hoodwinking her with bandages by the Egyptian slave handlers.

Crowley in that ritual pose.

A mummified Saskia is placed into the iron maiden (torture device) sarcophagus by the Egyptian slave handlers as Head puts on his Anubis... head. The torture device and sarcophagus combo is easy to interpret as MK as it's obviously symbolic of these slaves' long-term physical/psychological torture/trauma from a young age (which is largely what trauma-based/Monarch mind control involves) and the claustrophobic/sensory deprivation programming techniques used (i.e. trapping a child/victim in a box leading to dissociation/hallucinations, which can be controlled through suggestion and heightened with LSD and such). Anubis was the God of the Underworld/dead, whose rituals are described in the 'Book of the Dead' which modern occultist's rituals often closely follow; but as a basic analysis for Anubis this is invoking his role in funerary rites (mummification, embalming + other ritual).

The iron maiden claustrophobic torture device is shut on her (the spikes penetrating her skin [it's an illusion, so does not happen literally] can be considered phallic and suggestive of her sexual abuse trauma at the hands of her father + others [see Karen Mulder post]) and the viewer is made to think it has gone wrong for a second as blood pours out of the holes and Jonathan Creek/Alan Davies looks shocked as if that shouldn't have happened.



The mummy emerges from the iron maiden, and you find out they swapped places at some point as Saskia is now wearing the ritual Anubis head (and the ritual/symbolic robe) and Head is the mummy (possibly also for dog dehumanization as well as the clear occult ritual purposes).

I'd like to post a little more on Anthony Head at this point to finish this post, while he's obviously not a big star (so probably not that much interest... also probably not much interest in random British detective dramas!), I wanted to cover him as this role here is very ritualistic/symbolic and so are some of his previous ones. His most famous role is in Joss Whedon's (more on Whedon's show Dollhouse in future posts that I haven't gone into, plan on writing up more of it in future posts [DVD comes out 28th July in US btw, nice synch for my birthday ;p, and the Monarch MK show Fringe's DVD cover has some good split mind symbolism]) Buffy The Vampire Slayer as Rupert Giles, who is the product of multigenerational 'Council of Watchers' members (secret societies symbolic; "The Watchers' Council of Britain is an organization dedicated to finding, training, and supervising Slayers in the fictional Buffyverse." [i.e. secret societies dedicated to finding, programming and handling slaves; Whedon is clearly aware of Mind Control with his show Dollhouse and other themes noted in his other work related to MK so I don't see it as too much of a stretch to draw this conscious analogy, double headed eagle Eliza Dushku was one such 'Slayer'/Slave called 'Faith'])

Pictured above with Playboy Kitten (any MK suggestive phrases in there...? [My dad used to beat me, Angel star sheds her wings, rise of the machines]) Charisma Carpenter in leopard print skirt.




Charisma behind chain-cage symbolism.

She has an interesting duality tattoo with a sun/crescent moon face + cardinal directions.



And the main "Slayer" is of course Sarah Michelle Gellar who he handles in the show, a child actor who trained as a figure skater, best friends with Melissa Joan Hart, post a few images of her and some of her movie posters (not a proper analysis).

'Possession' has many MK themes, see trailer.


The Grudge and it's sequel (first movie's poster has the same split mind motif of the ghost kid) has the usual MK themes found in horror/japanese horror [SMG get's psychologically traumatized by something supernatural]).


The Return has more MK themes with plenty of mirror stuff, + note the R mirrored in the title.

In Scooby Doo, wearing purple (with metallic dragons + weapons for trauma) holding a pyramid.

This photo shoot (starting with the kitten one, 5 up + final one below with Sarah in a doll-like trance effectively being raped behind bloodied and broken glass [+ HELP/666, general kidnap/rape theme etc]) was obviously very interesting and symbolic, the photographer is James White who has done numerous symbolic photoshoots with celebrities [posted a set of his featuring Dita Von Tease + Scarlett Johanssen here], you can view more at White's portfolio website.

His role in Doctor Who as a 'Headmaster' [Head-Master] is very creepy, "No parents, no one to miss you..."... no pedophlic undertones in this short intro scene whatsoever!

Head has two daughters Emily Rose and Daisy May Head (pictured below, Daisy is the brunette, Emily the blonde) both actresses.




Head with Daisy and Emily Rose at what looks like a Merlin event, a BBC 'magic'/occult show with Head as the King of Camelot Uther Pendragon, Pendragon meaning 'Head-Dragon', below with the checkerboard motif behind him.

Anthony Head the 'master'/watcher/handler-figure for Buffy/SMG. Head's latest bigger role (aside from all his TV roles in Little Britain as the Prime Minister, 'Monarch of the Glen' and other TV stuff) is the Monarch symbolic (genes/eugenics is a huge Illuminist obsession and in multigenerational Monarch programming) musical film 'Repo! The Genetic Opera' which is pretty dire IMO and almost gave me a headache to watch (I am usually very easily entertained but the music is just so grating). Note in the posters the E is an M turned sideways. The whole "elite" conspiracy and Monarch MK can be viewed as a 'Genetic Opera' which I think this partly symbolizes too; the whole thing feels like it's reaching a crescendo of sorts anyway.

Head plays Nathan Wallace: "He doubles as the head Repo Man. He often laments his late night duties, but a seeming multiple personality tends to take him over, leaving him a vicious killing machine as opposed to the kind hearted, torn father." He works for the "elite" family corporation 'Geneco' which harvests human organs, Head plays the 'Repo Man' who is the character that hunts people down who haven't kept up with their payments (everyone needs transplants due to mass organ-failure [see trailer for other symbolic stuff also]), pictured above with the 'Geneco' corporate logo (black/white/red) and one of the "elite family" siblings (there is an allusion to incest in the film [involving Paris Hilton and her character's brother]) in skin mask ["He wears a deceased woman's skinned face as a mask to cover his own face, which is horrendously scarred."].

Towards the film's climax, Head is repeatedly electroshocked by the telepathically controlled identical twins (by the "elite"/master, GeneCo President Rotti Largo [father of Paris' character] played by Paul Sorvino).

This scenario has already started in a way though, "organ trafficking" is reaching epidemic proportions; the sick people behind human trafficking (big business controlled by the "elite") know they can make more money cutting up a slave, harvesting and selling their organs more than they can keeping them enslaved which requires a lot of resources. And generally people are already obsessed with their self-image and will constantly have plastic surgery to 'fix themselves' (thanks to the fashion industry and the media's use of slaves who are forced to have these transformations [again see Karen Mulder], "celebrities" who the brainwashed masses are more than just "influenced" by through the invasive media).

Anthony Head keeps his daughter locked up in a tower, expected symbolism features here with the young Alexa Vega (Spy Kids) as Head's daughter Shilo (she is bald) pictured with a bird cage and butterflies.

Her porcelain head used for holding the wig is covered in butterflies also.

Paris Hilton is also in this, much like in reality she comes from an "elite family", probably incestuous in terms of her Monarch programming; symbolized here by the butterfly hairpins, her face is falling off here as she performs for the masses (facelessness/loss of identity in her programming, her character 'Carmela Largo/Amber Sweet' is addicted to surgery transformation and the drug that eases the pain from the trauma of repetitive invasive surgeries).

Come and try her "new parts", double meaning of the 'parts' of her compartmentalized mind (here she is dressed as her dominatrix/bdsm alter, sexual alters are often dehumanization programmed to think they are butterflies detailed in a Britney post; butterflies and kittens are the most common for sex-programming. Two of the above butterfly tattoo images originally posted here and here; the upper back and chest butterfly tattoos look temporary/fake, the lower back one pictured with 'DOLL' looks permanent [EDIT: thanks to a commenter who pointed out that the Butterfly/DOLL Paris photo is not her, the hair does look too long compared to hers at the event; at the time it was posted in a number of galleries of Paris at the event such as this one and the file was named as her, so my apologiez for the confusion... probably some other Monarch Kitten Doll from the event though]), acting as the whore she is programmed to be in the media's false reality; she is just playing her scripted part in the 100% controlled media's Marionette puppet theatre.

Paris + Paul Sorvino (her father in the film) at a Repo dinner event below.


Post continues [originally was going to have it as part of the same post] in the next post [though you've probably read the other post first as it will appear above this one on the blog page, it doesn't really matter], thought it better to split it up.